04 February 2009
Kansas Bound
I received notification yesterday that my abstract was accepted for a 19th-century music conference taking place 16 July-18 July at the University of Kansas in Lawrence, Kansas. This will mark the furthest West I have traveled. I was surprised and relieved to find out about my selection, but now the stress rolls in over preparing my subject matter. The submission was a bit odd in that the abstract was limited to 250 words, and the deadline for submission, for a July conference, was early January. This means a clear and concise abstract was highly desirable, yet you also had to leave some wiggle room in case things develop unexpectedly during the research phase. My topic is on the definition, or lack thereof, of the grande Symphony in the early nineteenth century. My friend and colleague, Der Frauenverkauefer, to use his alias from the previous blog, was also accepted to the conference. We presented at a conference in Texas a few years ago, and it is good to know I will be traveling and rooming with someone I already know. I will provide more details as they become available (I do not even know who the keynote speaker is yet).
03 February 2009
Yuri Bashmet All Strung Out
At a recent concert, renowned violist Yuri Bashmet experienced an unfortunate event with his 1758 viola. I guess the tension was too much to bear. Enjoy!
31 January 2009
JB
As some of my friends and colleagues have heard this before, I have a working theory, or at least pointing out a big coincidence, regarding the names of fictitious special operatives and spies. Consider the following:
- James Bond - the legendary double-0 operative from MI-6 created by Ian Fleming.
- Jason Bourne - the American special-ops agent who suffers a brain washing and must piece together his past in order to learn who he is and who from his own organization has wronged him.
- Jack Bauer - The American special-ops agent on "24."
28 January 2009
24 January 2009
The Dissertation Chronicle, Opus 7
A couple of weeks ago I turned in the first draft of my dissertation proposal to my advisor. I received some helpful comments and had a lengthy, hour-long discussion with my advisor. I am still in the revision stage of the proposal, but forging ahead to actual intensive analysis of the symphonies I have gathered thus far. Over the past week, I made a significant and helpful contact regarding one of my composers. There is a Swede who is interested in music from this time and created a website devoted to Paul Wranitzky, one of the composers I am look at. The site is great for the information provided about the composer, and the list of contributors include notable names in the field of music history. Though the site master is nt a musician by trade or profession (I believe he is a computer programmer), he does good work. I contacted him, descibed my dissertation topic to him, and he has been emailing me symphonies by Wranitzky I need to look at. This is great for me because this will be about ten fewer scores I will have to track down and request from libraries and/or travel to acquire them on my own. I am examining the three symphonies I have received so far, and look forward to receiving the remaining symphonies. Who knows, perhaps this could lead to a new wave in music research.
An OK Computer Kind of Day
but the beginning of the second half fits well. Then comes the quintology of "Subterranean Homesick Alien," "Exit Music (For a Film)," "Let Down," "Karma Police
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